Thirty Days – Day Sixteen

Thirty Days - Day Sixteen - Gerbes
Heading home from the store at twilight | Panasonic Lumix G1 and 45-200mm f/4-5.6 lens @ 45mm; exposed 1/20 sec. @ f/4.5, ISO 400

This is the second time that the “30 Days” project has taken me to the Gerbes parking lot, but I think this image is infinitely more successful than the last.  I was focusing on this person walking their shopping cart towards their car when another vehicle drove past me.  I only made one frame, and this was the result.

An image from the return home after the jump!

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Sequences: Redux

American Robin thrashing through the leaves along the sidewalk, Columbia, Mo.

On Thursday afternoon I walked about Columbia, Mo. with my Lumix G1 and a 45-200mm lens (90-400mm lens in 35mm-speak, as the 4/3 sensor is one half the size of a frame of 35mm film).  It was cold.  I was wearing one of my “real” winter gloves on my left hand, but a thin glove on my right to use my camera.  My ears were at least covered up, but damn did my face get cold.  I’m from Wisconsin: we know how to dress for it, but there’s nothing you can do about cold wind except to get out of it as quickly as possible.

As I made my way back to Lee Hills Hall, home to the Missouri School of Journalism’s photojournalism sequence, I found that lots of American Robins were fluttering about the leaves lining the sidewalk.  I normally don’t photograph robins: too easy.  Well, sort of.

I had to revert back to my ways of photographing birds (but with much smaller equipment in this case), and I got down on the ground and began to crawl forward.  I put pressure mostly on my palms, which is now instinctive after working on the beaches in Florida, where Artie Morris always advises that you have to keep your hands clean.  If they get coated in sand, it just works its way into all of your gear; more often than not, it’s wet sand that does not want to brush off on your pants leg.

Slowly I crawled forward, getting a more frame-filling view of one of the robins that was thrashing on the ground, looking for worms.  He would thrash, look up, and then move onward to a new spot.  Lather, rinse, repeat.

I believe what I’ve made is a somewhat comic three-image series.  We encounter many birds, like the American Robin, virtually every day in Columbia, Missouri.  But do we often pay them a second look?

Discovering Shangri-La

Henry L. Warren's stone village, Prospect Hill, N.C.
The sun sets on Henry L. Warren’s stone village, Prospect Hill, N.C. | Panasonic G1 and Olympus 17mm f/2.8 lens

Right by the fire station along Old NC-86 in Prospect Hill, North Carolina, lies a stone village hand-crafted by Henry L. Warren, a retired tobacco farmer who died in 1977 at the age of 84.  I have been in the state to visit my girlfriend, and we decided to look online for interesting and strange attractions within an hour’s drive.

The 27 buildings that compose Shangri-La took about nine years for Warren to craft, and we met two of his grandchildren who were more than happy to show us around.  All in all, a fun thing to go check out before going into Hillsborough to do some window shopping and having a pint at the English-style pub.

Here are a couple more views of Shangri-La:

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To the thief who stole my backpack in Quito…

Today, in a moment of stupidity, I allowed a grocery store security guard to put my backpack in “safe keeping” while shopping for bottled water and other supplies in Quito, Ecuador.  I was in the store for three minutes.  My bag didn’t last that long.  Inside was one lens, my Panasonic 14-45mm (28-90mm equivalent), my windbreaker, my dad’s windbreaker, some ibuprofen, some generic Dramamine, a pair of earphones, and a couple of AA batteries.

My name, e-mail address, and Web site are featured prominently on many of the items in the bag, as well as the bag itself.  If the person who stole my bag (mochile) from the supermercado, please e-mail me as I will pay you to return my bag.  Yeah, this is a shot in the dark, but I bet you’re more reasonable than the security guard who told me “No me culpa.”

Um, yeah, it was his fault for not noticing…as well as the fault of the two motorcycle police directly outside the supermarket for not noticing you running away with my favorite camera backpack, the Kata 467.   But it was also my fault for ever taking it off of my back to start with.  So, hopefully we can make a deal.

I’m leaving for the Galapagos islands tomorrow, but will be back next Saturday.

In spite of your thievery, I did make a few pictures that I’m happy with.  I cannot edit them as I’m simply traveling with my MSI netbook for this trip, but here are some rough cuts, including the last good photo I made with the lens you absconded with:

Preventing H1N1 at the Quito airport.  Everyone deplaning from my flight had to wear them.  They were unbearably hot.
Preventing H1N1 at the Quito airport. Everyone deplaning from my flight had to wear them. They were unbearably hot.
Betty Page on a VW Bug.
Betty Page on a VW Bug.
Americano.
Looking for Americamino.
Selling fish on the street.
Selling fish on the street.

A perspective on Washington, D.C.

About three weeks ago I traveled to Washington, D.C. and decided to take only my Lumix G1 and what was at the time my only lens for it, the 14-45mm “kit” lens (28-90mm 35mm equivalent).  These were some of the more experimental images I made on the walk around the National Mall, the National Museum of the American Indian, and a few rides on the metro.

Washington Monument
Washington Monument. Panasonic Lumix G1 and 14-45mm lens; exposed 1/2500 sec. @ f/5, ISO 200

The idea I had in mind for this image came through almost as well as I had hoped, aside from a compositional error that left the monument not quite centered.  Also, I have no idea why I allowed the camera to go up to ISO 200 or chose f/5 instead of f/8.  I will say that some dials can move inadvertently with that camera when walking around with it hanging at my side.

Museum of the American Indian, interior.
Museum of the American Indian, interior. Panasonic Lumix G1 and 14-45mm lens; exposed 1/50 sec. @ f/5.1, ISO 400

The style and mood of this image is an homage to that of one of my close friends from college, who recently earned her M.F.A. and was also married, Meghan Kirkwood.  I actually enjoy the wide expanse of negative space on the left, but I appreciate that it’s not for everyone.

Metro train.
Metro train. Panasonic Lumix G1 and 14-45mm lens; exposed1/30 sec. @ f/4, ISO 1600

The D.C. metro provided a lot of opportunities for photography.  I wish that the G1 was less noisy in these situations, but I think the grain adds something to this scene.  Still, it’s certainly not like the 5D II or the Nikon D3 or D700 in its low-light abilities!

Metro train blur, duotone.
Metro train blur, duotone. Panasonic Lumix G1 and 14-45mm lens; exposed 1.6 seconds @ f/4.8, ISO 1250

Probably the most conceptual of the images I’ve made in a while.  I intentionally overexposed the train tunnel to give the scene a black and white negative-like look.

Traveling

I’ll be heading off to Quito, Ecuador and the Galapagos islands this Thursday and will return on the evening of the 19th.  I don’t expect to have much internet access (if any) while I’m away, so I thought I would post a few images I’ve made in the past few weeks.  Mostly “people without people” photographs.  More details and a lens review to follow…

Exit / Enter
"Exit / Enter." Lyon Family Farms, Creedmoor, N.C. Panasonic Lumix G1 and 45-200mm lens; Exposed 1/1250 sec. @ f/4, ISO 100
Trailer.  Lyon Family Farms, Creedmoor, N.C.
Trailer. Lyon Family Farms, Creedmoor, N.C. Panasonic Lumix G1 and 45-200mm lens; Exposed 1/320 sec. @ f/4, ISO 100
"America the Beautiful."  Batesville, Ind.
"America the Beautiful." Batesville, Ind. Canon 5D Mark II and 24-70mm lens; exposed 1/30 sec. @ f/9, ISO 3200

A Dreary Sunday Edited

Mosque and Power Plant
Mosque and Power Plant, Columbia, Mo.

It’s been on-and-off pouring rain today, so I’ve been going through some of my photos in Lightroom.  I found a few that I made just for me–they’re not photojournalistic and they’re not for any of my classes.  What’s funny about the ones that I found is that all of them were made on my Lumix G1.  It definitely pays to carry that camera around.  I am still just using the kit lens (equivalent to 28-90mm), but plan to pick up the 90-400mm equivalent lens soon…and either the new wide-angle zoom (no price yet) or the fixed focal length f/1.7 lens that has been rumored for some time if/when that ever comes out.  Micro four-thirds has turned out to be a great system that delivers on the original promise of Olympus’ four-thirds.  Funny that Panasonic would be the ones to show them how to make that format useful!

Two more photos after the jump…
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News coming out of PMA

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Official Panasonic image

So, it would seem that the Lumix G1 that I picked up after reading through Michael Reichmann’s glowing reviews, and which I have enjoyed immensely in this past two months, is officially obsolete. Panasonic has announced the “GH1,” which is the same camera but with the ability to record high-definition video.

After looking through Panasonic’s Web site for the new GH1, it would appear that the camera offers slightly more manual control than the Canon 5D Mark II’s video mode.  Specifically, the aperture can be controlled by the photographer, as opposed to the 5D, which requires some clever manipulation in order to specify the aperture.
(A Google search will come up with a wealth of resources, but the bottom line is that a manual-aperture lens mounted via an adapter is the easiest way to control the video on the new 5D.)

No word on Panasonic’s Web site, or from DPReview, whether the audio levels can be controlled manually.  Because any mention of such a feature is absent, I’m left to assume that Panasonic followed Canon and simply reverted to auto gain for audio.  Nothing is ever perfect!  More after the jump.
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