Knives loom over our ripening tomatoes. | Canon 5D Mk. II and 24-70mm f/2.8 L lens @ 27mm | Exposed 1/60 sec. @ f/5.6, ISO 100 | Key: Canon 580EX II Speedlite in 16×16″ Softbox on camera right. Fill: Canon 550EX Speedlite in Lumiquest Softbox III on camera left. Triggered wirelessly using ST-E2 transmitter ratio 2:1 key to fill.
Things have been fairly quiet on the blog while I make some final arrangements to be truly “in business” as a photographer in the state of North Carolina. I am contemplating a very large order of roll paper in anticipation of opening up my HP Z3200 to making prints for fellow photographers. Hopefully, that will include some of my dear readers here!
However, most of my new work of late has been around the house, especially Elizabeth’s garden which is now producing lots of tomatoes. This afternoon I made a photo of our harvested tomatoes that are ripening on the kitchen counter…or atop the microwave, to be more accurate. In years past, other creatures have gotten to Elizabeth’s tomatoes before she had a chance to pick them, so this season she’s trying to pick them when they’ve begun to ripen, and allowing them to finish the process indoors. So far, so good!
Sugar snap peas overwhelm their trellis in our garden, Durham, N.C. | Canon 5D Mk. II and 24-70mm f/2.8L lens @ 24mm | Exposed 1/50 sec. @ f/3.5, ISO 100 | 580EX II and 550EX Speedlites triggered with ST-E2.
The other day I received my Lumiquest Softbox III that I ordered at the Joe McNally and David Hobby “Flash Bus Tour” in Durham, North Carolina on 4 April. A new light modifier? Well, I simply had to play with it. Trick is finding cooperative subject matter. As I mentioned a few weeks back, Elizabeth and I have been working on a new garden/cooking/home improvement blog, and it was high time for an update on the crop of peas growing along the “whimsical trellises” that she made in the back yard.
Lighting the garden
So I set up the Softbox III on my 580EX II Speedlite, gelled 1/4 CTO on a stand at camera right as my key, and placed my 550EX in the back, zoomed out to 105mm and gelled 1/2 CTO to work as a kicker. While outdoors I tend to use my low-end radio triggers for wireless flash, in cloudy conditions and after sunset I find that I can get away with wireless ETTL with either my ST-E2 or a flash as the commander. This makes setting the light ratio and also the amount of light a lot faster when I don’t have much time (like when the sun is setting and the sky is getting really dark and really fast). In this case, I think the warmer light created by the gels contrasted nicely with the cool sky at dusk.
My third attempt at “No Knead Bread” yielded this beautiful, rustic boule. | Canon 5D Mk. II and 100mm f/2.8 Macro lens | Exposed 1/100 sec. @ f/2.8, ISO 100 | 580EX II and 550EX Speedlites triggered with Canon ST-E2 Transmitter.
Our New Blog
Over the past couple of months, Elizabeth and I have been working on a project together: a combined cooking, gardening, and home improvement blog that we’ve named With One Cat in the Yard. Today I posted about making Jim Lahey’s No-Knead Bread (aka No-Work Bread), which was popularized in a Mark Bittman column in The New York Times in 2006, and I thought I would cross-post it formy readers here. Our new project is certainly not a photography blog–I’ve included the technical details for the photos in this post, but you won’t find them at With One Cat in the Yard–but I hope everyone will take a look. More to come!
Flour, salt, yeast, water, and time perseverance
I’m in my third week of attempting to make good bread. I’ve always enjoyed crusty bread, but I’ve never found the price of five dollars for a boule to be particularly attractive, so I rarely buy it.
Elizabeth suggested trying a recipe that inspired many food bloggers a few years ago: Jim Lahey’s “No Knead Bread” featured in Mark Bittman’s column in The New York Times. The recipe became so popular that publishers perceived a demand for a book, so Lahey wrote My Bread: The Revolutionary No-Work, No-Knead Method to further explain his method and offer variations. Both Lahey and Bittman emphasize that the process is so simple that a child could make it happen, although I don’t think my mom ever would have trusted me to drop dough into a 450° F stock pot and put it back inside an oven. Sometimes I wonder why anyone would trust me to do that now.
The wet, sticky dough after its first rise (overnight). | Canon 5D Mk. II and 100mm f/2.8 Macro lens | Exposed 1/200 sec. @ f/11, ISO 100 | Canon 550EX Speedite triggered with 580EX II Speedlite on “Master.”
My first effort was not completely successful, nor was my second, but the third was just right. I was skeptical that I could make a loaf of bread worthy of an artisan bakery, but lo and behold, it’s not only possible, but has quickly become one of my new favorite breads. Not only does it look amazing and have a satisfying, crackling crust, it’s also pretty tasty. Now, it’s not the best, most flavorful bread ever, but it does have a faint sourdough flavor of which I am quite fond (on account of the lengthy fermentation period) and it’s fantastic for dipping in soup, olive oil, or as sandwich bread.
The basic recipe is stunningly simple: three cups of bread flour, one and a half cuts of water, one and a quarter teaspoon of salt, and a quarter teaspoon of yeast are briskly mixed together in a bowl and then left alone overnight: at least 12 hours, but extra time does seem to yield better results. While the original recipe calls for 1 and 5/8 cups of water, the video on the Web site and also the recipes I found on several other blogs all called for one and a half cups, and indeed that seemed to work well. After the lengthy first rise, the dough is rolled into a ball, allowed to rise again, and then baked in a pot inside of a conventional oven at 450° F. This creates a “fake oven,” as Lahey refers to it in the aforementioned video, meaning that it simulates the steam-injected ovens found in professional bakeries. The moisture of the dough is trapped within the pot and circulates throughout, ensuring a crisp crust.
Note:the recipes I follow are at the end of the post!
No Knead Bread in a cast iron Dutch oven. | Canon 5D Mk. II and Zeiss 85mm f/1.4 ZE Planar T* lens | Exposed 1/40 sec. @ f/2, ISO 1600.
For my first few loaves I used Elizabeth’s hard-anodized, eight-quart stock pot. The current thinking is that anywhere from three to five quarts is just about “right” for No Knead Bread. (The original recipe called for a six to eight quart pot.) Combined with our concern that such high temperatures for an hour and fifteen minutes might deteriorate the non-stick coating, I purchased a Lodge five-quart cast iron Dutch oven on Amazon.
However, the sticking point to this bread–literally–is not the equipment needed, but the second rise of the dough. After a few attempts, I believe I’ve found an effective alternative to the original recipe. I offer you my experiences with this bread so that you can learn from my mistakes and quickly get to the point: great bread at a great price with relatively little effort.
Bottom crust of “No Knead Bread” | Canon 5D Mk. II and 100mm f/2.8 Macro lens | Exposed 1/160 sec. @ f/8, ISO 250 | Canon 550EX and Canon 580EX II flashes triggered via Canon ST-E2
Last week I hinted that I was beginning to explore baking my own bread. For the past couple of days I’ve been working with “No Knead Bread,” which became popular in 2006 with Mark Bittman’s article about baker Jim Lahey’s process that involves quickly mixing a rough dough and then letting it rise for at least 12 hours. I hope to perfect it soon, and with it, introduce everyone to a project we’ve been working on here in Durham for a few weeks now. More to come!
