My best experience with CPS yet

Hulett House - April 2009
Hulett House – April 2009 | Canon 5D Mk. II and 70-200mm f/4L IS lens @ 144mm | Exposed 1/100 sec. @ f/6.3, ISO 800.

A brief history of CPS

While I believe that customer service should be important to all businesses great and small, it’s clear that it isn’t always the case.  So when a company does something for one of its customers that is above and beyond all expectations, it’s a good feeling.  It’s also something that should be recognized by the end customer and held up as an example of loyalty-earning service.  There was a lot of complaining two years ago, when Canon Professional Services transitioned into a fee-based, tiered program.

I recall a few people asking why they should have to pay for “better service,” and I scratched my head.  The airlines have had a tiered fee structure for years: pay the base rate and sit in coach, but pay them several dollars more, sit in business class, and get better service.  Pay even larger sums, and sit in first class with an even greater level of service.  I had only been a member of CPS for a year when they changed up the program, but I have to say that I’ve seen only improvements in the past two years.  Sure, Nikon Professional Services doesn’t charge (yet), but that’s in part because they’ve cut costs by firing some of their beloved NPS representatives, such as Carol Fisher, who used to represent Nikon at photojournalism programs such as the University of Missouri.

So, for the past two years I’ve paid $100 per year and received a discount of 30% on repairs plus several equipment loans for evaluation.

The problem

So what is this all about?  Last week I sent in my 550 EX Speedlite that I damaged in a shoot for my Advanced Techniques class in my second semester at MU.  It’s sat on a shelf for close to two years after I melted its diffuser from an hour of firing at 1:1 on manual.  Before asking, the answer is that I wasn’t thinking at the time.  One of the last photographs that the flash helped me to make is at the top of this post.  Both of my 550 EX flashes were mounted on light stands and firing against the white walls of the mixed martial-arts gym, Hulett House.  Of course an hour of shooting at full power will do bad things.  But how bad?

550EX test before CPS repair
550EX test before CPS repair: damaged flash is labeled “B”. Note that the identical units are zoomed to 35mm and firing at 1/16 power. Canon 7D and 16-35mm f/2.8L II lens @ 27mm | Exposed 1/100 sec. @ f/4, ISO 100

While behaving normally under E-TTL II mode, my 550EX that I had labeled “B” (for grouping purposes in wireless flash with the Canon ST-E2 transmitter) would only fire on full power in manual mode.  The photo above shows just how badly the Speedlite had been damaged: both are supposed to be firing at 1/16 power, but the only one doing that is the flash on the left.  So, after two years of my 550EX “B” Speedlite working only as a paperweight, I decided to send it in to CPS to be repaired and then sell it to recoup the cost of the repair.

An aside:

I have an odd hang up about broken gear: ultimately, I’d rather fix it and sell it to someone to recoup the repair costs than to let it rot on the shelf indefinitely.  This is what I did a few years ago when I bought an Olympus 21mm lens off of eBay that turned out to be woefully scratched.  I sent it into a man out in Colorado who gave it a new lens coating and then sold it, barely making up for the cost of the lens plus its repair.

Resolution

Refurbished Canon 580 EX Mk. II Speedlite
Refurbished Canon 580 EX Mk. II Speedlite from CPS

Last Thursday I packed up the 550 EX and shipped it FedEx to Canon’s Newport News, Virginia factory service center.  One of the things I’ve come to appreciate about living in North Carolina is that FedEx Ground will get a package to Canon overnight.  On Friday I approved the repair that was estimated to cost far less than I had mentally prepared for: only $77.

On Monday morning I received an e-mail that the factory was out of parts to repair the (discontinued) 550 EX, so they would be replacing it…with a 580 EX Mk. II Speedlite!  I am completely convinced this would not have happened had I not been a member of Canon Professional Services.

Today, my Canon-refurbished 580 EX Mk. II arrived…and it doesn’t have a scratch on it.  Sure, am I excited that I received a flash that retails for more than $450 by paying $77 and trading in my old unit?  Absolutely.  But it would have been far easier for Canon to tell me that they don’t have parts any more and simply ship my old flash back to me in its damaged state.  This is the kind of thing that makes me think twice about ever switching brands–my loyalty has been earned with time, but it was renewed once more this afternoon when the package arrived.

Well done, Canon.  Kudos on raising the bar for CPS!

Canal Vignette Two

Tony Lopez, right, coils a rope while Steve Gray, left, rests against one of the winches on Illinois Marine Towing's "Albert C." fleet boat on 20 October 2010 in Lemont, Ill. | Canon 5D Mk. II and 24-70mm f/2.8L lens @ 25mm | Exposed 1/1250 sec. @ f/2.8, ISO 100

The second of two images I “rediscovered” while going through photographs for my master’s project.  One thing that I noticed throughout that day on the Albert C. was that my shutter speeds were remarkably high all day long–relatively large apertures (for limited depth of field) combined with the all-white ship resulted in a great deal of main and fill light all the time.  What was amazing about that was I only needed my flash a couple of times, and even then only inside the pilot house.

Canal Vignette One

Logs on the Albert C.
Capt. Dan Egan goes through one of the logs on Illinois Marine Towing's "Albert C." fleet boat on 20 October 2010 in Lemont, Ill. | Canon 5D Mk. II and 24-70mm f/2.8L lens @ 70mm | Exposed 1/5000 sec. @ f/2.8, ISO 200

In preparation for weaving together a narrative for my master’s on Asian carp, a river flowing the wrong way, and people’s livelihoods caught in the mix, I have been going back over some of my photos for the project, and in the process I have found a couple that I had not toned and ranked only “one star” in Lightroom.  This image, and the one I will post tomorrow, is now a three star image storytelling image and shaped up nicely with some simple white point, black point, and curve adjustments.

Ice dripping from leaves

Melting ice
Melting ice, Durham, N.C. | Canon 5D Mk. II and 100mm f/2.8 Macro lens | Exposed 1/80 sec. @ f/4.5, ISO 800

I made this image last Thursday during the second winter “storm” of the season in Durham.  It was a dusting to this Midwesterner’s eyes, but a pretty one at that.  Many of the images I created seemed to be a touch melancholy.  It seems a fitting image for today, which carries a decidedly somber mood.

A good change, but is it worth the price?

Mode dial lock
Mode dial lock modification - image from usa.canon.com

What?

Canon is now offering to modify 5D Mark II and 7D camera bodies with a mode dial that locks in place to prevent the dial from moving accidentally.  Unfortunately, it’s not free of charge: $100 per camera body.

Why?

You know the frustration: you’ve set your camera to “aperture priority” and then you sling it over your shoulder.  You pick it back up to make a quick image and suddenly the viewfinder blacks out far longer than you expected.  A second-long exposure in bright daylight?  “Oh, ” you realize, “it slipped over to shutter priority which was set for making blurs.”  But the decisive moment?  It’s long since gone on account of a technical problem.

I’m going to make a broad-spectrum criticism here: the mode dials on pretty much every camera suck because most of them do not lock in any way, shape, or form.  Nikon locks the “sub-dial” beneath the mode dial on many of their bodies, but even they are not blameless.

Time to celebrate?

Maybe.  I own both bodies, and I’m not really thrilled at the thought of contributing $200 into Canon’s coffers for something that is really a fix, not a “modification.”  And I’m disappointed that there’s no suggestion that a locking mode dial will be a standard feature of future camera bodies.  Finally, a mod for the 5D Mk. II really gives me pause: this camera was announced over two years ago, so shouldn’t owners be looking for its replacement, not pouring more money into the existing body?

I think this one is worthy of discussion, so what do you think?