It has been a while since I have posted here. I had the best intentions of crafting my new Web site format in a different location, perfecting it, and then replacing the Web site here overnight. Sometimes, life has other plans! I’ve been trying to give Light’s Edge Studios the space it needs to really showcase the range of skills and abilities I’ve developed over the last nineteen years, and the quality services I provide using my experience.
Photographically that includes everything from mulltimedia storytelling, book publishing, wedding and celebration photography, professional and personal portraiture, and of course my roots in natural history: landscapes and wildlife. But to make all those images, videos, and books, I had to develop other skills along the way, such as fine art inkjet printing, and what better place than here to offer to consult on photographic technique, issues, equipment maintenance as well as equipment selection. I’ve used several cameras and lenses over time. Recently, I sold my Micro Four-Thirds system and I’ve begun to work with a Fuji X-E1. I have more thoughts on that camera to share, but suffice to say that over the years, several people have asked me “what camera should I buy?” and I am more than happy to ask about their needs and wants in equipment. I then narrow a list of options for them from hundreds to choose from to a selection of two or three.
To be sure, there will be more adjustments and edits in the coming weeks, but for the most part, the web site is up and running, which means I can returned to regularly scheduled blogging!
I’d like to announce that I am offering a 25% Off and Free Shipping at Light’s Edge Prints for “Black November.” Everyone has “Black Friday” and “Cyber Monday,” but through the rest of the month I am offering a sale on all fine art prints. Event photographs not included, sorry! Use coupon code nov2012 at checkout. Don’t see a size you want, or a particular image you’re looking for? Contact me and we’ll make it happen!
Say what you will about the height of the mountains of the eastern United States. No, they do not soar to the heights of those in the west, but there’s something rather special about the ridges that color the horizon in blue. And while I am still finding my footing with Nik Color Efex 4, and would normally find effects like the one above to be “over the top,” I found that for this image, it simply “worked.” Does it have a “true black” and a “true white?” No. Did the 5D Mark II actually produce that much noise, let alone noise that looks like film grain? No. Does it matter? I think that’s up to the viewer. More to come.
Here in the United States its Thanksgiving, a day to be with friends and family. In the spirit of sharing, I thought I’d post one of the images that blends a technique I’ll be writing more about soon: blending HDR and stitching to get large photographs with incredibly wide tonal values while still looking pretty “normal!”
Recently I began working more with landscape photography and, in turn, my old habit of making multiple photographs of a scene and stitching them together. Related to that, I recently began to explore what would happen if I made multiple versions of the multiple pictures to be stitched together: that is, what if you bracket for High Dynamic Range photography with each “view” in a panorama or other stitched image. The results can be pretty amazing, but so is the amount of work that can be required to pull it off! I’ll be writing more on this topic after Thanksgiving!
While I was experimenting with a 5D Mark III camera body on loan from CPS, I discovered that one of its killer apps is for high dynamic range photography. No, not its built-in HDR functionality (which is rather underwhelming). Rather, I am referring to its ability to set autoexposure bracketing for up to seven frames and, when the shutter button is depressed, automatically go into mirror lock-up and rapidly fire each frame in sequence. The one wrinkle? If you already have mirror lock-up enabled, this while actually cause a hiccup: it will want you to hit the shutter for each frame. Canon, please fix this quirk in your next firmware release!
This is much more useful than previous incarnations of autoexposure bracketing: three images really is not enough for HDR photography. Seven? I can work with seven!
Since it was launched in 2007, I have been an avid user of Adobe’s Lightroom. One of the things that I have loved about the strengths of the “Develop” module (also called Camera RAW in Photoshop, as they share the same engine) is that I have felt progressively less need to port an image into Photoshop for further enhancement. This has been especially true since version three onward, as the local enhancements offered by the brush and gradient tool have made selections very easy. Need to brighten the bride’s face but keep the dress the same value? No problem, just use the brush. Photoshop? Why bother.
I realize I’m likely the last person to get on board the Nik Software bandwagon (especially since even Google decided that it was a good one to hop onto….or guide into its garage, if we continue that metaphor). Because we don’t really know what that acquisition means, re-sellers are steeply discounting the existing lineup of products. I tried their demo of HDR Efex a while back and was impressed, and decided to roll the dice and pick up their entire collection for Lightroom. The disadvantage for some people is that this product cannot be launched from inside of Photoshop: instead, you create a copy of the image as a TIFF file and port it into whichever Nik program you’ve selected. Since I’m avoiding Photoshop for the most part, this approach doesn’t phase me.
For making color images, Viveza 2 and Color Efex 4 are a pretty amazing combination. Over the last few days I’ve developed a workflow of adjusting my images globally in Lightroom, and then working on local contrast in Viveza. If I want the foliage of the trees to be more subdued to make the bare branches of the foreground trees to stand out, it’s easy to do. No more near-impossible layer masks in Photoshop!
I have posted this image before; while it is similar to the original, the trees stand out more. And going forward, I can only see advantages to using Nik software whenever my goal is to make tonal changes to ranges of color. No, I would not suggest using these programs for every image. But for those that have commercial value, I can see only advantages. Below is a series of three panoramas. The first was the result of stitching in Photoshop, but all of the toning had taken place as global adjustments on the RAW files within Photoshop. Beneath that is the result of toning the image in Viveza 2, and the final photo is the finished product from Color Efex 4. Each round of processing builds on the previous.
To my eyes, the key differences in these images can be found in the quality of the clouds and the colors and details of the reflection, especially in the treeline. I don’t think that this software is for everyone, and some may wish to hold off on purchase until Google makes some sort of announcement to detail what kind of support will be extended to current users as they go forward. For me, this is a worthwhile process for anything I rank three stars or higher, as well as some of my two star photographs.
More thoughts to come, as well as mini reviews of the 5D Mark III and LensAlign’s new software, Focus Tune!
About one month after a mutli-day intensive photo trip to the Blue Ridge Highway for fall color, I’m almost done processing my images. This was a panorama made on our first morning at Julian Price Memorial Park, near the campgrounds.
Can you tell that a couple of the members of the household are a wee bit obsessed with birds? Remarks on the 5D Mark III on loan from Canon Professional Services, as well as the recently announced Focus Tune from Michael Tapes Designs, intended to introduce a bit of automation to setting Autofocus Micro Adjustments with LensAlign to follow in the coming weeks.